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portada Die Hard (en Inglés)
Formato
Libro Físico
Editorial
Año
2025
Idioma
Inglés
N° páginas
104
Encuadernación
Tapa Blanda
Dimensiones
13.50 x 18.90 x 0.80 cm
ISBN13
9781839026522

Die Hard (en Inglés)

Jon Lewis (Autor) · BFI Publishing · Tapa Blanda

Die Hard (en Inglés) - Jon Lewis

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Reseña del libro "Die Hard (en Inglés)"


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\nUpon its release, John McTiernan’s Die Hard (1988) was met with immense commercial and critical success; breaking the $100 million mark at the box office in its first run, and resulting in four Academy Award nominations. Jon Lewis’s study of the action classicclosely examines the film's novel and script adaptation, highlighting the influential role of producer Joel Silver. He delves into Silver's ground-breaking ‘whammy theory’, which redefined script structure by organizing scripts around timed ‘beats’ rather than traditional acts or scenes, tracing its impact not only in Die Hard, but also in other iconic franchises like Lethal Weapon, Predator, and The Matrix. Lewis goes on to consider the film's evocation of post-Vietnam male panic and its connection to the Iron John movement. He highlights Die Hard as a prime example of the ‘male rampage film’ genre, where white male protagonists express frustration with cultural antagonists like feminism, economic regulation, government bureaucracy, and political corruption. Finally, he reflects on how Die Hard resonated with its 1988 audience, looking for new antagonists in a changing world. The film's anticipation of European radical political groups and later terrorism rooted in North Africa and the Middle East foreshadows the era-defining ‘war on terror’ that would follow.
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Upon its release, John McTiernan’s Die Hard (1988) was met with immense commercial and critical success; breaking the $100 million mark at the box office in its first run, and resulting in four Academy Award nominations.

Jon Lewis’s study of the action classicclosely examines the film''s novel and script adaptation, highlighting the influential role of producer Joel Silver. He delves into Silver''s ground-breaking ‘whammy theory’, which redefined script structure by organizing scripts around timed ‘beats’ rather than traditional acts or scenes, tracing its impact not only in Die Hard, but also in other iconic franchises like Lethal Weapon, Predator, and The Matrix.

Lewis goes on to consider the film''s evocation of post-Vietnam male panic and its connection to the Iron John movement. He highlights Die Hard as a prime example of the ‘male rampage film’ genre, where white male protagonists express frustration with cultural antagonists like feminism, economic regulation, government bureaucracy, and political corruption. Finally, he reflects on how Die Hard resonated with its 1988 audience, looking for new antagonists in a changing world. The film''s anticipation of European radical political groups and later terrorism rooted in North Africa and the Middle East foreshadows the era-defining ‘war on terror’ that would follow.

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