Name: Politeness and Audience Response in Chinese-English Subtitling (en Inglés)
Price: 59.42 USD
Availability: InStock
Author: Díaz Cintas, Jorge ; Xiaohui, Yuan
ISBN: 9783034307321

portada Politeness and Audience Response in Chinese-English Subtitling (en Inglés)

Politeness and Audience Response in Chinese-English Subtitling (en Inglés)

Formato

Libro Físico

Autor

Yuan Xiaohui

Ilustrado por

Jorge Díaz Cintas

Editorial

Peter Lang Ltd, International Academic Publis

Año

2012

Idioma

Inglés

N° páginas

236

Encuadernación

Tapa Blanda

ISBN

3034307322

ISBN13

9783034307321

Categorías

Lingüística
Teoría literaria
Semiótica/semiología

Politeness and Audience Response in Chinese-English Subtitling (en Inglés)

Yuan Xiaohui (Autor) · Jorge Díaz Cintas (Ilustrado por) · Peter Lang Ltd, International Academic Publis · Tapa Blanda

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Reseña del libro "Politeness and Audience Response in Chinese-English Subtitling (en Inglés)"

The aim of this book is to study how politeness, and particularly face negotiation, is dealt with when subtitling between Chinese and English. Face negotiation refers to the process of managing relationships across different cultures through verbal and nonverbal interactions. This research specifically investigates how British and Chinese audiences respond to face management through a study focused on film subtitling and viewers' reception and response. The book offers a survey of the developments in research on face management in Far East cultures and in the West. The author then presents a composite model of face management for analysing face interactions in selected Chinese and English film sequences as well as its representation in the corresponding subtitles. Support for the research is provided by audience response experiments conducted with six Chinese and six British subjects, using one-on-one interviews. The audience responses show that viewers who rely on subtitles gain a significantly different impression of the interlocutors' personality, attitude and intentions than those of native audiences. The results also demonstrate that the nature of the power relations between interlocutors changes from the original to the subtitled version.