Name: The Modern Scot: Modernism and Nationalism in Scottish Art, 1928-1955 (en Inglés)
Price: 69.69 USD
Availability: InStock
Author: Normand, Tom
ISBN: 9781138728400

portada The Modern Scot: Modernism and Nationalism in Scottish Art, 1928-1955 (en Inglés)

The Modern Scot: Modernism and Nationalism in Scottish Art, 1928-1955 (en Inglés)

Formato

Libro Físico

Autor

Tom Normand

Editorial

Routledge

Año

2018

Idioma

Inglés

N° páginas

208

Encuadernación

Tapa Blanda

ISBN13

9781138728400

N° edición

Categorías

Artes: aspectos generales
Sociología

The Modern Scot: Modernism and Nationalism in Scottish Art, 1928-1955 (en Inglés)

Tom Normand (Autor) · Routledge · Tapa Blanda

Libro Nuevo Importado

Envío: 17 a 24 días háb.

$ 126.71$ 69.69

-45%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 10 unidades

$ 69.69

Llega entre el 13 Jul y el 24 Jul a Quito, Pichincha. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "The Modern Scot: Modernism and Nationalism in Scottish Art, 1928-1955 (en Inglés)"

This title was first published in 2000: An investigation of Scottish art between 1928 and 1955 to bring into focus the multifaceted project that was Scottish modernism. At the core of this work lies the contention that Scottish modernism was underpinned by a desire to express a national consciousness. It was this ambition which became the defining feature of radical Scottish art, setting the parameters of its relationship with the idea of a coherent and international modern movement. With the foundation of the National Party of Scotland in 1928, Scottish intellectuals began to consider the nature of national identity and the characteristics of a national art. The "Scottish Renaissance Movement", under the voluble leadership of Hugh MacDiarmid, set out to articulate these interests, developing a vernacular poetry and literature. For Scottish artists, the way forward was harder to identify, as they fought to reconcile the demands for a Scottish national art with the stylistic revolution of international modernism. Tom Normand examines the competing claims of nationalism and modernism as they affected Scottish art.