Name: Beggars and Thieves: Lives of Urban Street Criminals: Ethnography of Urban Street Criminals (Writing: History, Poetics, Cultural Crit) (en Inglés)
Price: 34.39 USD
Availability: InStock
Author: Fleisher, Mark S.
ISBN: 9780299147747

portada Beggars and Thieves: Lives of Urban Street Criminals: Ethnography of Urban Street Criminals (Writing: History, Poetics, Cultural Crit) (en Inglés)

Beggars and Thieves: Lives of Urban Street Criminals: Ethnography of Urban Street Criminals (Writing: History, Poetics, Cultural Crit) (en Inglés)

Formato

Libro Físico

Autor

Mark S. Fleisher

Editorial

University of Wisconsin Press

Año

1995

Idioma

Inglés

N° páginas

348

Encuadernación

Tapa Blanda

Dimensiones

23.2 x 15.3 x 2.0 cm

Peso

0.48 kg.

ISBN

0299147746

ISBN13

9780299147747

Categorías

Comunidades urbanas
Delito y criminología

Beggars and Thieves: Lives of Urban Street Criminals: Ethnography of Urban Street Criminals (Writing: History, Poetics, Cultural Crit) (en Inglés)

Mark S. Fleisher (Autor) · University of Wisconsin Press · Tapa Blanda

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Reseña del libro "Beggars and Thieves: Lives of Urban Street Criminals: Ethnography of Urban Street Criminals (Writing: History, Poetics, Cultural Crit) (en Inglés)"

The years 1907-1913 mark a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.