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portada Cavalier Perspective. Last Essays, 1952-1966
Formato
Libro Físico
Año
2025
N° páginas
256
Encuadernación
Tapa Blanda
Dimensiones
21.5x15.2 cm
ISBN13
9780872869394

Cavalier Perspective. Last Essays, 1952-1966

André Breton (Autor) · City Lights Books · Tapa Blanda

Cavalier Perspective. Last Essays, 1952-1966 - André Breton

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Reseña del libro "Cavalier Perspective. Last Essays, 1952-1966"

The final book by the founder of Surrealism, translated into English for the first time. "Cavalier Perspective shows us the lion in winter, André Breton near the end of his life, trying to reconcile all the contradictions of his extraordinary career. It is unexpectedly moving to watch him wrestling with his ghosts, aiming for magic, fitting himself uneasily into the new alien landscape of the 1960s."—Lucy Sante, author of I Heard Her Call My Name: A Memoir of TransitionAs leader and chief theoretician of Surrealism, director of myriad publications from the 1920s through the 1960s, poet André Breton was a prolific writer of prose. Author of numerous books, essays, and manifestoes, Breton periodically collected his most significant short essays into carefully arranged volumes. His last such collection, Cavalier Perspective, appeared posthumously in 1970; in it, editor Marguerite Bonnet assembled "articles, prefaces, responses to surveys, interviews," written between 1952 and 1966. Modeled on its predecessors, Cavalier Perspective is considered Breton's final book. Over 50 years after its initial publication, its appearance in English today is a crucial cultural event; here we encounter Breton writing on topics nearest to our present day and most relevant to current social and political issues. Cavalier Perspective finds Breton steadfastly pursuing his anti-fascist, anti-colonialist revolutionary aims in the age of weapons of mass destruction, climate change, and space exploration, concerns largely unknown during Surrealism's more notorious interwar period. Far from conceding the movement's claim to contemporary relevance, and pointedly refusing the imposition of "strict temporal limits," Breton insists on Surrealism's dynamic and dialectical position in the book's titular manifesto, asserting its continuity through its perpetual capacity to respond to the needs of the hour. More than simply a poet and theoretician, Breton is best considered an "inaugurator of discourse" on the level of a Marx or Freud, and Cavalier Perspective is an essential capstone to his lifetime as the guiding hand behind the worldwide surrealist movement.

The final book by the founder of Surrealism, translated into English for the first time.

"Cavalier Perspective shows us the lion in winter, André Breton near the end of his life, trying to reconcile all the contradictions of his extraordinary career. It is unexpectedly moving to watch him wrestling with his ghosts, aiming for magic, fitting himself uneasily into the new alien landscape of the 1960s."—Lucy Sante, author of I Heard Her Call My Name: A Memoir of Transition

As leader and chief theoretician of Surrealism, director of myriad publications from the 1920s through the 1960s, poet André Breton was a prolific writer of prose. Author of numerous books, essays, and manifestoes, Breton periodically collected his most significant short essays into carefully arranged volumes. His last such collection, Cavalier Perspective, appeared posthumously in 1970; in it, editor Marguerite Bonnet assembled "articles, prefaces, responses to surveys, interviews," written between 1952 and 1966. Modeled on its predecessors, Cavalier Perspective is considered Breton''s final book.

Over 50 years after its initial publication, its appearance in English today is a crucial cultural event; here we encounter Breton writing on topics nearest to our present day and most relevant to current social and political issues. Cavalier Perspective finds Breton steadfastly pursuing his anti-fascist, anti-colonialist revolutionary aims in the age of weapons of mass destruction, climate change, and space exploration, concerns largely unknown during Surrealism''s more notorious interwar period. Far from conceding the movement''s claim to contemporary relevance, and pointedly refusing the imposition of "strict temporal limits," Breton insists on Surrealism''s dynamic and dialectical position in the book''s titular manifesto, asserting its continuity through its perpetual capacity to respond to the needs of the hour.

More than simply a poet and theoretician, Breton is best considered an "inaugurator of discourse" on the level of a Marx or Freud, and Cavalier Perspective is an essential capstone to his lifetime as the guiding hand behind the worldwide surrealist movement.

André Breton
  (Autor)
Ver Página del Autor
André Breton fue un escritor, poeta y ensayista francés considerado el principal fundador y teórico del surrealismo. Nacido en 1896 en Tinchebray, Francia, estudió medicina y trabajó en hospitales psiquiátricos durante la Primera Guerra Mundial, experiencia que despertó su interés por el inconsciente, los sueños y las teorías de Sigmund Freud. Tras vincularse inicialmente al dadaísmo, Breton impulsó el movimiento surrealista en la década de 1920 mediante manifiestos, revistas y experimentos de escritura automática. Su influencia trascendió la literatura y alcanzó la pintura, el cine y la filosofía, convirtiéndose en una figura central de las vanguardias europeas. Básicamente, si el surrealismo tuvo un director técnico, Breton llevaba el silbato y probablemente también un pez flotando sobre la cabeza.

Entre sus obras más importantes se encuentran Nadja, Los vasos comunicantes, El amor loco y El arte mágico, ensayo donde reflexiona sobre la relación entre creación artística, simbolismo y pensamiento mágico a lo largo de distintas culturas y períodos históricos. Breton defendía el arte como una vía de liberación mental y transformación de la realidad, alejándose de las restricciones racionalistas tradicionales. Aunque su personalidad generó tensiones dentro del propio movimiento surrealista, su papel como impulsor intelectual y organizador fue decisivo para consolidar una de las corrientes artísticas más influyentes del siglo XX.
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