Name: Creation and Creativity in Medieval Art: Illustrating Genesis (en Inglés)
SKU: 68551477
Price: 87.47 USD
Availability: InStock
Author: Beate Fricke
ISBN: 9781041177708

portada Creation and Creativity in Medieval Art: Illustrating Genesis (en Inglés)

Creation and Creativity in Medieval Art: Illustrating Genesis (en Inglés)

Formato

Libro Físico

Editorial

Taylor & Francis

Autor

Beate Fricke

Año

2026

Idioma

Inglés

N° páginas

286

Encuadernación

Tapa Blanda

Dimensiones

24.6x17.4 cm

ISBN13

9781041177708

Creation and Creativity in Medieval Art: Illustrating Genesis (en Inglés)

Beate Fricke (Autor) · Taylor & Francis · Tapa Blanda

Libro Nuevo Importado

Envío: 22 a 29 días háb.

$ 159.03$ 87.47

-45%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 20 unidades

$ 87.47

Llega entre el 29 Oct y el 13 Nov a Quito, Pichincha. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Creation and Creativity in Medieval Art: Illustrating Genesis (en Inglés)"

Creation imagery in manuscripts made in the Middle Ages became a locus for visual experimentation as well as the expression of ideas about creativity. By examining representations of divine creation and illustrations of the creation stories in Genesis, this book links medieval ideas about creation, the characteristic of the Divine Creator, and the act of creation with themes in medieval thought about the work of medieval artists., Case studies from manuscripts illuminating the creation dating from the eleventh to the fourteenth century (Junius 11/The Cædmon Manuscript, Roda Bible & Ripoll Bible, Bible moralisées, Hamburg Bible, Holkhalm Bible) reveal self-reflective moments; where medieval artists relate artistic invention and theological debates about creation. This book traces the artists' thinking in their own work and then contextualizes those visual cues within the context of philosophical arguments about the creation of the world. It also considers how Western medieval artists, in inventing original illuminations and experimenting with new representational modes, suggest potential analogies between their own work, God's acts of creation, and nature's generative force.