Name: Cultural Graphology: Writing After Derrida (en Inglés)
SKU: 50142313
Price: 59.03 USD
Availability: InStock
Author: Juliet Fleming
ISBN: 9780226565194

portada Cultural Graphology: Writing After Derrida (en Inglés)

Cultural Graphology: Writing After Derrida (en Inglés)

Formato

Libro Físico

Editorial

University Of Chicago Press

Autor

Juliet Fleming

Año

2018

Idioma

Inglés

N° páginas

192

Encuadernación

Tapa Blanda

ISBN13

9780226565194

Categorías

Estudios literarios: general

Cultural Graphology: Writing After Derrida (en Inglés)

Juliet Fleming (Autor) · University Of Chicago Press · Tapa Blanda

Libro Nuevo Importado

Envío: 25 a 32 días háb.

$ 98.39$ 59.03

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 53 unidades

$ 59.03

Llega entre el 05 Oct y el 19 Oct a Quito, Pichincha. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Cultural Graphology: Writing After Derrida (en Inglés)"

“Cultural Graphology” could be the name of a new human science: this was Derrida’s speculation when, in the late 1960s, he imagined a discipline that combined psychoanalysis, deconstruction, and a commitment to the topic of writing. He never undertook the project himself but did leave two brief sketches of how he thought cultural graphology might proceed. In this book, Juliet Fleming picks up where Derrida left off. Using both his early and later thought, and the psychoanalytic texts to which it is addressed, to examine the print culture of early modern England, she drastically unsettles some key assumptions of book history. Fleming shows that the single most important lesson to survive from Derrida’s early work is that we do not know what writing is. Channeling Derrida’s thought into places it has not been seen before, she examines printed errors, spaces, and ornaments (topics that have hitherto been marginal to our accounts of print culture) and excavates the long-forgotten reading practice of cutting printed books. Proposing radical deformations to the meanings of fundamental and apparently simple terms such as “error,” “letter,” “surface,” and “cut,” Fleming opens up exciting new pathways into our understanding of writing all told.