Name: Dialectical Conversions: Donald Kuspit's Art Criticism (en Inglés)
SKU: 3789204
Price: 213.91 USD
Availability: InStock
Author: Craven, David ; Winkenweder, Brian

portada Dialectical Conversions: Donald Kuspit's Art Criticism (en Inglés)

Dialectical Conversions: Donald Kuspit's Art Criticism (en Inglés)

Formato

Libro Físico

Editorial

Liverpool University Press

Autor

Craven, David ; Winkenweder, Brian

Año

2011

Idioma

Inglés

N° páginas

276

Encuadernación

Tapa Dura

Dimensiones

23.4x16x2.5 cm

Peso

0.59 kg.

ISBN

1846314798

ISBN13

9781846314797

Categorías

Artes: aspectos generales
Historia del arte

Dialectical Conversions: Donald Kuspit's Art Criticism (en Inglés)

Craven, David ; Winkenweder, Brian (Autor) · Liverpool University Press · Tapa Dura

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Reseña del libro "Dialectical Conversions: Donald Kuspit's Art Criticism (en Inglés)"

Few art critics in Western art history have ever had the broad-ranging impact over several decades of Donald Kuspit, a philosopher and psychoanalyst who from 1970 until the present has been a commanding figure on the international stage. A student of German thinker Theodor Adorno under whom he earned the first of his three doctorates, Kuspit introduced a new type of philosophical art criticism into the art world. He drew on both phenomenology and Critical Theory before he then increasingly adopted psychoanalysis. Since Kuspit himself has always measured his own place in the history of art criticism by how rigorously he engages with competing approaches, this book is a searching survey of Kuspit's role in triggering several historic shifts within art criticism, beginning with his now legendary 1974 article in Artforum, "A Phenomenological Approach to Artistic Intention." Dense and demanding, yet deft and incisive, Kuspit's multi-faceted art criticism has become world famous for reasons that artists, critics, art historians, and philosophers from at least ten different nations explain from various points of view. Divided into three parts and introduced by a lengthy introduction, the book features comments by recognized artists like Rudolf Baranik, Anselm Kiefer, and April Gornik, as well as critical commentaries by many scholars and critics from around the world on the richness of Kuspit's insights into art.