Reseña del libro "Mount Horeb Palestine (en Inglés)"
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\nIn 1962 at the age of 71, Joseph E. Yoakum (1891–1972) reported having a dream that inspired him to draw. Thereafter the retired veteran began a daily practice and over the next 10 years produced some 2,000 works.Yoakum was born into poverty, had very little schooling, and at an early age left home to join a circus. He wound up working with several circuses, traveling across the United States as well as abroad and becoming intimately familiar with the world’s various landscapes. These experiences would provide the foundational memories that fueled his deeply spiritual vision decades later.When he began to put that vision to paper in his apartment on Chicago’s South Side in the early 1960s, Yoakum quickly developed a unique visual language, independent and distinct from other artists in the city, such as those involved in the flourishing Black Arts Movement or the up-and-coming Chicago Imagist group. His drawings – predominantly landscapes in ballpoint pen, colored pencil, pastel, and watercolor and inscribed with locations from all seven continents – reflect the scope of his national and international travels as well as his idiosyncratic and poetic vision of the natural world.
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\nIn 1962 at the age of 71, Joseph E. Yoakum (1891–1972) reported having a dream that inspired him to draw. Thereafter the retired veteran began a daily practice and over the next 10 years produced some 2,000 works. Yoakum was born into poverty, had very little schooling, and at an early age left home to join a circus. He wound up working with several circuses, traveling across the United States as well as abroad and becoming intimately familiar with the world’s various landscapes. These experiences would provide the foundational memories that fueled his deeply spiritual vision decades later. When he began to put that vision to paper in his apartment on Chicago’s South Side in the early 1960s, Yoakum quickly developed a unique visual language, independent and distinct from other artists in the city, such as those involved in the flourishing Black Arts Movement or the up-and-coming Chicago Imagist group. His drawings – predominantly landscapes in ballpoint pen, colored pencil, pastel, and watercolor and inscribed with locations from all seven continents – reflect the scope of his national and international travels as well as his idiosyncratic and poetic vision of the natural world.
