Name: Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature (Michigan Monograph Series in Japanese Studies) (en Inglés)
Price: 51.88 USD
Availability: InStock
Author: Will Bridges
ISBN: 9780472054428

portada Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature (Michigan Monograph Series in Japanese Studies) (en Inglés)

Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature (Michigan Monograph Series in Japanese Studies) (en Inglés)

Formato

Libro Físico

Editorial

The University Of Michigan Press

Autor

Will Bridges

Año

2020

Idioma

Inglés

N° páginas

306

Encuadernación

Tapa Blanda

ISBN13

9780472054428

Categorías

Japón
Literatura: historia y crítica

Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature (Michigan Monograph Series in Japanese Studies) (en Inglés)

Will Bridges (Autor) · The University Of Michigan Press · Tapa Blanda

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Reseña del libro "Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature (Michigan Monograph Series in Japanese Studies) (en Inglés)"

Playing in the Shadows considers the literature engendered by postwar Japanese authors' robust cultural exchanges with African Americans and African American literature. The Allied Occupation brought an influx of African American soldiers and culture to Japan, which catalyzed the writing of black characters into postwar Japanese literature. This influx fostered the creation of organisations such as the Kokujin kenkyu no kai (The Japanese Association for Negro Studies) and literary endeavours such as the Kokujin bungaku zenshu (The Complete Anthology of Black Literature). This rich milieu sparked Japanese authors' - Nakagami Kenji and Oe Kenzaburo are two notable examples - interest in reading, interpreting, critiquing, and, ultimately, incorporating the tropes and techniques of African American literature and jazz performance into their own literary works. Such incorporation leads to literary works that are "black" not by virtue of their representations of black characters, but due to their investment in the possibility of technically and intertextually black Japanese literature. Will Bridges argues that these "fictions of race" provide visions of the way that postwar Japanese authors reimagine the ascription of race to bodies-be they bodies of literature, the body politic, or the human body itself.