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portada Relational Acts. Performance Practices and Media of Documentation
Formato
Libro Físico
Editorial
Año
2025
N° páginas
360
Encuadernación
Tapa Blanda
Dimensiones
24x17 cm
ISBN13
9783689242770

Relational Acts. Performance Practices and Media of Documentation

Barbara Buscher;Ulrike Hanstein;Franz Anton Cramer (Autor) · dG Arts · Tapa Blanda

Relational Acts. Performance Practices and Media of Documentation - Barbara Buscher;Ulrike Hanstein;Franz Anton Cramer

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Reseña del libro "Relational Acts. Performance Practices and Media of Documentation"

Aesthetic, documentary and historiographical processes are intertwined increasingly in the arts. Relational Acts explores the complex relationships between performance arts, archival processes, and exhibition practices. The contributions to this interdisciplinary volume examine the relationships established via embodied forms of transmission, media-technical methods of documentation, or processes of recording, selection and presentation. The subject is the relationships between performances and appropriative repetitions, between embodied practices and technical infrastructures, between performers and documentarists, and between performance and media history. Performance practices and their documentation are explored as knowledge-creating, collaborative spheres of action. The authors from the fields of art and science write about the materials, media and concepts of documentation. In doing so, they contribute to a media-theoretical discourse on contemporary art. International perspective on performance-based works with reference to current exhibitions Linking aesthetic, historiographical, curatorial and conservational perspectives on performance art Contribution to the current debate on archives and performance

Aesthetic, documentary and historiographical processes are intertwined increasingly in the arts. Relational Acts explores the complex relationships between performance arts, archival processes, and exhibition practices. The contributions to this interdisciplinary volume examine the relationships established via embodied forms of transmission, media-technical methods of documentation, or processes of recording, selection and presentation. The subject is the relationships between performances and appropriative repetitions, between embodied practices and technical infrastructures, between performers and documentarists, and between performance and media history.

Performance practices and their documentation are explored as knowledge-creating, collaborative spheres of action. The authors from the fields of art and science write about the materials, media and concepts of documentation. In doing so, they contribute to a media-theoretical discourse on contemporary art.

International perspective on performance-based works with reference to current exhibitions Linking aesthetic, historiographical, curatorial and conservational perspectives on performance art Contribution to the current debate on archives and performance

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