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portada They Say There Are No Spirits (en Inglés)
Formato
Libro Físico
Año
2024
Idioma
Inglés
Encuadernación
Tapa Blanda
Dimensiones
26.5x16.9x0.7 cm
ISBN13
9798989327034

They Say There Are No Spirits (en Inglés)

Theo Jean Cuthand (Autor) · UnionDocs Center for Documentary Art · Tapa Blanda

They Say There Are No Spirits (en Inglés) - Theo Jean Cuthand

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Reseña del libro "They Say There Are No Spirits (en Inglés)"

“Since 1995 Theo Jean Cuthand has produced roughly thirty-five video works, o@en informed by a queer D.I.Y. tradiIon, and o@en deparIng from the first person. In these works, he frequently posiIons himself with extensive “I am ...” statements, yet these statements aren’t meant to construct a staIc idenIty—they hold specific Ies with a kind of non-linear Ime that is in contact with Indigenous ancestry as much as it responds to quesIons of locality. In regard to intersecIng vectors of oppression, it is usually presumed that the various aspects of a person’s idenIty are stable and that their specific intersecIons can be analyzed along solid markers of belonging such as class, race, gender, ability, and so forth. These noIons become profoundly destabilized when reconsidered through Cuthand’s prolific pracIce. In their generosity, his video works offer deep insights into the necessarily unfinished business of building, understanding, and negoIaIng one’s own sense of idenIty.”—Vika Kirchenbauer

"Since 1995 Theo Jean Cuthand has produced roughly thirty-five video works, often informed by a queer D.I.Y. tradition, and often departing from the first person. In these works, he frequently positions himself with extensive "I am ..." statements, yet these statements aren't meant to construct a static identity-they hold specific ties with a kind of non - linear time that is in contact with Indigenous ancestry as much as it responds to questions of locality. In regard to intersecting vectors of oppression, it is usually presumed that the various aspects of a person's identity are stable, and that their specific intersections can be analyzed along solid markers of belonging such as class, race, gender, ability, and so forth. These notions become profoundly destabilized when reconsidered through Cuthand's prolific practice. In their generosity, his video works offer deep insights into the necessarily unfinished business of building, understanding, and negotiating one's own sense of identity." - Vika Kirchenbauer

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