Name: Beyond «The Great Wave»: The Japanese Landscape Print, 1727-1960 (en Inglés)
Price: 127.86 USD
Availability: InStock
Author: Burbulla, Julia ; Nicolai, Bernd ; Tabarasi-Hoffmann, Ana-Stanca
ISBN: 9783034303170

portada Beyond «The Great Wave»: The Japanese Landscape Print, 1727-1960 (en Inglés)

Beyond «The Great Wave»: The Japanese Landscape Print, 1727-1960 (en Inglés)

Formato

Libro Físico

Editorial

Peter Lang Group Ag, International Academic P

Autor

Burbulla, Julia ; Nicolai, Bernd ; Tabarasi-Hoffmann, Ana-Stanca

Año

2010

Idioma

Inglés

N° páginas

234

Encuadernación

Tapa Blanda

Peso

1.26

ISBN

3034303173

ISBN13

9783034303170

Categorías

Asia
Grabados y estampación
Enseñanza y aprendizaje de lenguas
Historia de asia
Manuales de pintura, dibujo y arte

Beyond «The Great Wave»: The Japanese Landscape Print, 1727-1960 (en Inglés)

Burbulla, Julia ; Nicolai, Bernd ; Tabarasi-Hoffmann, Ana-Stanca (Autor) · Peter Lang Group Ag, International Academic P · Tapa Blanda

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Reseña del libro "Beyond «The Great Wave»: The Japanese Landscape Print, 1727-1960 (en Inglés)"

The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected. Although there has never been a book-length study of the Japanese landscape print in either Japanese or English, a great deal has been written about the two giants of the genre, Hokusai and Hiroshige. From what traditions did these two nineteenth-century artists emerge? Who were their predecessors? What influence, if any, did they have on other Ukiyo-e artists? Can their influence be seen in the shin-hanga and sôsaku-hanga artists of the twentieth century? This book addresses these issues, but it also looks at a number of other factors, such as the growth of tourism in nineteenth-century Japan, necessary for understanding this genre.