Name: Complete Works for Piano - Volume 3: Revised and Edited by Robert Orledge (en Inglés)
SKU: 60466457
Price: 37.18 USD
Availability: InStock
Author: Satie, Erik ; Orledge, Robert

portada Complete Works for Piano - Volume 3: Revised and Edited by Robert Orledge (en Inglés)

Complete Works for Piano - Volume 3: Revised and Edited by Robert Orledge (en Inglés)

Formato

Libro Físico

Editorial

Salabert

Autor

Satie, Erik ; Orledge, Robert

Idioma

Inglés

N° páginas

146

Encuadernación

Tapa Blanda

Dimensiones

30.2x22.4x1 cm

Peso

0.52 kg.

ISBN13

9781495076374

Categorías

Estilo clásico
Arte musical, música orquestal
Ópera
Partituras, letras y libretos

Complete Works for Piano - Volume 3: Revised and Edited by Robert Orledge (en Inglés)

Satie, Erik ; Orledge, Robert (Autor) · Salabert · Tapa Blanda

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Reseña del libro "Complete Works for Piano - Volume 3: Revised and Edited by Robert Orledge (en Inglés)"

(Piano). This new, completely revised and reset centenary edition of Satie s complete piano music in three volumes has returned to Satie's manuscripts and first editions to give pianists completely accurate and reliable texts to play from. As well as presenting every piece for piano solo or piano reduction that Satie published, this edition also includes some previously unknown pieces, like the Petite Sonate that he wrote for Vincent d Indy at the Schola Cantorum, as well as some interesting first versions of well-known pieces, like San Bernardo, a trial version of Espanana (1913) and the markedly different first version of Les Pantins dansent (1914). In addition, there are examples of the different types of exercises that Satie completed at the Schola between 1905 and 1912, some extra trial Enfantines, and some earlier drafts of his famous Sports et divertissements. To help pianists, suggested metronome marks have been added throughout, and there are also some performance suggestions for the Rose+Croix pieces of the 1890s, which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible, without detracting from Satie's concerns about the exteriorisation of his musical thought in print.