Name: Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great war (Routledge Studies in First World war History) (en Inglés)
Price: 169.73 USD
Availability: InStock
Author: Margot Irvine (Editor) Kimberly A. Francis (Editor)
ISBN: 9781032387352

portada Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great war (Routledge Studies in First World war History) (en Inglés)

Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great war (Routledge Studies in First World war History) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Margot Irvine (Editor) Kimberly A. Francis (Editor)

Idioma

Inglés

N° páginas

264

Encuadernación

Tapa Dura

ISBN13

9781032387352

N° edición

Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great war (Routledge Studies in First World war History) (en Inglés)

Margot Irvine (Editor) Kimberly A. Francis (Editor) (Autor) · Routledge · Tapa Dura

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Reseña del libro "Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great war (Routledge Studies in First World war History) (en Inglés)"

This book explores the creative women of the "Lost Generation" including painters, sculptors, film makers, writers, singers, composers, dancers, and impresarios who all pursued artistic careers in the years leading up to, during, and following World War I. These women's stories, and the art they created, commissioned, mobilized as propaganda, and performed shed light on the shifting nature of gender norms during this period. With the combined knowledge and expertise from different contributors, chapters in this book consider how modernist practices continued their development in women's hands during the war through networks forged by and for women artists in the absence of their male colleagues. These chapters also reflect on how, in many cases, the dissolution of these structures after the November 1918 armistice had detrimental consequences for their professional trajectories. This book challenges the place creative women currently hold in the historical record while also clarifying how these artists and impresarios contributed to wartime and post-war culture. This collection of essays will be of great value to scholars interested in social and gender history of the twentieth century, as well as historians of the arts through offering nuanced understanding of the essential work of female creative professionals, highlighting artistic women's experiences of resistance, mourning, and reinvention in the shadow of the Great War.