Name: Giotto the Painter. Volume 1: Life: With a Collection of the Documents and Texts Up to Vasari and an Appendix of Sources on the Arena Chapel (en Inglés)
Price: 249.99 USD
Availability: InStock
Author: Schwarz, Michael Viktor ; Theis, Pia
ISBN: 9783205216964

portada Giotto the Painter. Volume 1: Life: With a Collection of the Documents and Texts Up to Vasari and an Appendix of Sources on the Arena Chapel (en Inglés)

Giotto the Painter. Volume 1: Life: With a Collection of the Documents and Texts Up to Vasari and an Appendix of Sources on the Arena Chapel (en Inglés)

Formato

Libro Físico

Autor

Michael Viktor Schwarz

Pia Theis

Editorial

Bohlau Verlag

Idioma

Inglés

N° páginas

426

Encuadernación

Tapa Dura

Peso

1.36 kg.

ISBN13

9783205216964

Categorías

Estilo medieval
Historia del arte
Artistas, monografías sobre arte
Fotógrafos individuales
Arquitectos y estudios de arquitectura
Biografía: general

Giotto the Painter. Volume 1: Life: With a Collection of the Documents and Texts Up to Vasari and an Appendix of Sources on the Arena Chapel (en Inglés)

Michael Viktor Schwarz (Autor) · Pia Theis (Autor) · Bohlau Verlag · Tapa Dura

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Reseña del libro "Giotto the Painter. Volume 1: Life: With a Collection of the Documents and Texts Up to Vasari and an Appendix of Sources on the Arena Chapel (en Inglés)"

Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are - on the one hand - biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist.