Name: Romanesque - Picasso (en Inglés)
Price: 38.38 USD
Availability: InStock
Author: Lahuerta, Juan José ; Philippot, Emilia
ISBN: 9788480432870

portada Romanesque - Picasso (en Inglés)

Formato

Libro Físico

Autor

Juan José Lahuerta

Emilia Philippot

Editorial

Tenov Books

Idioma

Inglés

N° páginas

208

Encuadernación

Tapa Blanda

Dimensiones

26.9 x 21.8 x 1.8 cm

Peso

0.98 kg.

ISBN13

9788480432870

Editado en

España

Categorías

Europa
Estilo medieval
Modernismo
Pintura y obra pintada
Historia del arte
Artistas, monografías sobre arte
Figuras humanas representadas en el arte
Arte religioso y ceremonial

Romanesque - Picasso (en Inglés)

Juan José Lahuerta (Autor) · Emilia Philippot (Autor) · Tenov Books · Tapa Blanda

Libro Nuevo Importado

Envío: 13 a 19 días háb.

$ 76.77$ 38.38

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 2 unidades

$ 38.38

Llega entre el 31 Ago y el 10 Sep a Quito, Pichincha. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Romanesque - Picasso (en Inglés)"

This beautifully illustrated book, the catalog for an exhibition on view at the National Museum of Art of Catalonia in Barcelona and coorganized with the Picasso Museum in Paris, explores important affinities between Picasso and Romanesque art. Using two key moments as starting points, Juan José Lahuerta and Emilia Philippot first discuss the summer of 1906, when Picasso stayed in the village of Gòsol in the Catalan Pyrenees, and then turn to 1934, as he visited the Romanesque art collections of what is today the National Museum of Art of Catalonia. Picasso's discovery of the Romanesque nurtured his interest in other "primitive" or ethnographic art, later echoed in such decisive works as Les Demoiselles d'Avignon. Importantly, while Lahuerta and Philippot avoid any attempt to trace direct Romanesque influences on Picasso--as they note, his work consistently escapes such linear accounts--they do demonstrate that Picasso's interest in the twelfth-century sculpture Virgin from Gósol, his lifelong fascination with the theme of the crucifixion, and his study of the skull all reflect elements that were also of major importance in Romanesque art and architecture. What these shared features allow, Lahuerta and Philippot ultimately argue, is not only a richer understanding of Picasso's work, but also a rediscovering and reinvention of Romanesque art in our contemporary moment, causing the medieval to become refreshingly and paradoxically modern.