Name: Writing war in Britain and France, 1370-1854: A History of Emotions (Themes in Medieval and Early Modern History) (en Inglés)
Price: 80.57 USD
Availability: InStock
Author: Andrew Lynch; Katrina O'loughlin
ISBN: 9781138314139

portada Writing war in Britain and France, 1370-1854: A History of Emotions (Themes in Medieval and Early Modern History) (en Inglés)

Writing war in Britain and France, 1370-1854: A History of Emotions (Themes in Medieval and Early Modern History) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Andrew Lynch; Katrina O'loughlin

Categoría

Historia

Año

2018

Idioma

Inglés

N° páginas

258

Encuadernación

Tapa Blanda

ISBN13

9781138314139

N° edición

Writing war in Britain and France, 1370-1854: A History of Emotions (Themes in Medieval and Early Modern History) (en Inglés)

Andrew Lynch; Katrina O'loughlin (Autor) · Routledge · Tapa Blanda

Libro Nuevo Importado

Envío: 16 a 23 días háb.

$ 146.50$ 80.57

-45%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 10 unidades

$ 80.57

Llega entre el 20 Ago y el 02 Sep a Quito, Pichincha. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Writing war in Britain and France, 1370-1854: A History of Emotions (Themes in Medieval and Early Modern History) (en Inglés)"

Writing War in Britain and France, 1370-1854: A History of Emotions brings together leading scholars in medieval, early modern, eighteenth-century, and Romantic studies. The assembled essays trace continuities and changes in the emotional register of war, as it has been mediated by the written record over six centuries. Through its wide selection of sites of utterance, genres of writing and contexts of publication and reception, Writing War in Britain and France, 1370-1854 analyses the emotional history of war in relation to both the changing nature of conflicts and the changing creative modes in which they have been arrayed and experienced. Each chapter explores how different forms of writing defines war – whether as political violence, civilian suffering, or a theatre of heroism or barbarism – giving war shape and meaning, often retrospectively. The volume is especially interested in how the written production of war as emotional experience occurs within a wider historical range of cultural and social practices. Writing War in Britain and France, 1370-1854: A History of Emotions will be of interest to students of the history of emotions, the history of pre-modern war and war literature.