Compartir
Playwrights at Work: Interviews With Albee, Beckett, Guare, Hellman, Ionesco, Mamet, Miller, Pinter, Shepard, Simon, Stoppard, Wasserstein, Wilder, Williams, Wilson (Modern Library (Paperback)) (en Inglés)
Paris Review
(Autor)
·
George Plimpton
(Ilustrado por)
·
John Lahr
(Introducción de)
·
Modern Library
· Tapa Blanda
Playwrights at Work: Interviews With Albee, Beckett, Guare, Hellman, Ionesco, Mamet, Miller, Pinter, Shepard, Simon, Stoppard, Wasserstein, Wilder, Williams, Wilson (Modern Library (Paperback)) (en Inglés) - Paris Review ; Plimpton, George ; Lahr, John
$ 27.94
$ 55.88
Ahorras: $ 27.94
Elige la lista en la que quieres agregar tu producto o crea una nueva lista
✓ Producto agregado correctamente a la lista de deseos.
Ir a Mis Listas
Origen: Estados Unidos
(Costos de importación incluídos en el precio)
Se enviará desde nuestra bodega entre el
Lunes 01 de Julio y el
Lunes 15 de Julio.
Lo recibirás en cualquier lugar de Ecuador entre 1 y 3 días hábiles luego del envío.
Reseña del libro "Playwrights at Work: Interviews With Albee, Beckett, Guare, Hellman, Ionesco, Mamet, Miller, Pinter, Shepard, Simon, Stoppard, Wasserstein, Wilder, Williams, Wilson (Modern Library (Paperback)) (en Inglés)"
The third installment in the Modern Library's Paris Review "Writers at Work" series, this is an all-new gathering of interviews with the most important and compelling playwrights of our time. Their singular takes on their craft, their influences, their lives, the state of contemporary theater, and the tricks of the trade create an illuminating and unparalleled record of the life of the theater itself. "At its best, theater is an antidote to the whiff of barbarity in the millennial air. 'My feeling is that people in a group, en masse, watching something, react differently, and perhaps more profoundly, than they do when they're alone in their living rooms, ' Arthur Miller says here. In the dark, facing the stage, surrounded by others, the paying customer can let himself go; he is emboldened. The theatrical encounter allows a member of the public to think against received opinions. He can submerge himself in the extraordinary, admit his darkest, most infantile wishes, feel the pulse of the contemporary, hear the sludge of street talk turned into poetry. This enterprise can be joyous and dangerous; when the theater's game is good and tense, it is both."--from the Introduction by John Lahr