Name: The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Theories of Representation and Difference) (en Inglés)
Price: 27.59 USD
Availability: InStock
Author: Kaja Silverman
ISBN: 9780253204745

portada The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Theories of Representation and Difference) (en Inglés)

Formato

Libro Físico

Editorial

Indiana University Press

Autor

Kaja Silverman

Año

1988

Idioma

Inglés

N° páginas

272

Encuadernación

Tapa Blanda

Peso

0.85

ISBN

0253204747

ISBN13

9780253204745

N° edición

Categorías

Cine

The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Theories of Representation and Difference) (en Inglés)

Kaja Silverman (Autor) · Indiana University Press · Tapa Blanda

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Reseña del libro "The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Theories of Representation and Difference) (en Inglés)"

... a vitally new understanding that takes us from the terms of the representation of sexual difference to an anatomy of female subjectivity which will be widely influential." ―Stephen HeathAn original work likely to have significant impact on all those with an interest in the vibrant intersection of feminism, film theory, and psychoanalysis... " ―Naomi Schor... powerfully argued study... impressive... " ―Choice... important because of its innovative work on Hollywood’s ideologically-charged construction of subjectivity.... what is exciting about The Acoustic Mirror is that it inspires one to reevaluate a number of now classical theoretical texts, and to see films with an eye to how authorship is constructed and subjectivity is generated." ―Literature and PsychologyAs evocative as it is shrewdly systematic, the pioneering theory of female subjectivity formulated in the final three chapters will have wide impact as a major contribution to feminist theory." ―SubStanceThe Acoustic Mirror attempts to do for the sound-track what feminist film theory of the past decade has done for the image-track―to locate the points at which it is productive of sexual difference. The specific focus is the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship.